An example of this was an explanation about the artistic choices that he made when trying to show the systematic dehumanization of Jewish people for an audience in a way that can be felt by the audience without having to show each crushing law individually. He explained how seeing the actress playing Hana in a classroom setting first getting her books taken away, and then her notebook, and then finally the pencil itself by a faceless man in a suit conveyed the pain and demoralization that Hana went through.
Students engaged in a discussion segment about the moral impossibility of choosing who lives and dies in a made-up scenario. Do you choose someone who is 5 years old to live over someone who is elderly? How do those choices feel?
Emil asked students to remember that like adapting a book for the stage, life comes down to the choices we make every single day.